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review

Cinema Paradiso: Okay, Ennio Morricone Just CHEATED.

Alright soundtrack nerds, gotta talk about Cinema Paradiso. I know, I know, it's a classic, and everyone's seen it... probably. But I just re-watched it last night and, wow, it hit different this time. I always appreciated the story – little Toto and Alfredo's friendship is genuinely heartwarming, and the whole thing is just steeped in nostalgia. But this time the score. Man, Ennio and Andrea Morricone went HARD. Seriously, the themes are just so unbelievably beautiful. The love theme is just devastating in its simplicity, and it's used so effectively throughout the film. It's not just that it's a pretty melody; it's how it connects to Toto’s memories and the sacrifices Alfredo makes. Like, when Toto leaves for Rome and Alfredo is watching him go – that cue KILLS me every time. I think it might literally be one of my absolute favorite musical movie moments ever. The way that score is used to amplify the emotions in the scene is just on another level. Is it manipulative? Maybe. Do I care? Absolutely not. And it's not just the big, sweeping themes. Even the smaller cues, like when Toto is a kid scampering around the cinema, have this charm and playfulness. The music just perfectly captures the spirit of the movie. I guess my only slight 'complaint' (and I use that term loosely) might be that it's almost too good? Like, it kinda makes the movie feel better than it is sometimes. Is that a bad thing? I don't know, but for a score guy like me, it basically sets the bar for emotionally resonent film scoring. Seriously, if you haven't revisited this one lately, do yourself a favor and give it another watch (or listen!). Just be prepared to reach for the tissues. And then immediately add the soundtrack to your record collection. You won't regret it.

hughesreviews
4 months ago
6 comments
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